Stéphane Vereecken

Photography is the basis of my work.
My artistic studies made me discover several traditional and virtual techniques.
My first photos were Polaroids, with paint and collages on them.
I have experimented with painting and photographic collages and painting on wood.
I started very young to exhibit in galleries with artists like Araki, Dolores Marat, Paul Mc Carthy
in Brussels at the Damasquine Art Gallery in Brussels.
Since then, I have exhibited in Europe ( Greece, Belgium, France, Italy, Spain… )
and in the United States in New York. Since I started to create I have been naturally driven by surrealism and conceptualism. The line between the two is sometimes thin. The surrealist has no defined limits and can experience anything because everything comes out of his dreams.
In my work, the void fills the distance with the flux and tribulations of the moment.
It is about filling an empty space with objects and after emptying it, decluttering it
By leading viewers to the crossroads of fact and rumor, reality and fantasy, science and imagination.
The void, his role is essential in the way in which the Chinese thought and conceptualized the Universe.White attains his true fullness by cutting it out of the human form.
The supporting characters tell an unfinished story. The drawings, fragmented and incomplete, represent an ongoing process, a potential future and an unfinished story to tell, with his drawings on the bodies.